Selected Publications

Bernardes, Gilberto and M. Davies, C. Guedes, B. Pennycook “Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition” Submitted – 2014 Joint Intl. Computer Music Conference and Sound-Music-Computing Conference. Sept 14, Athens, Greece.

Pennycook, Bruce and Y. Sharir, J. Beira. “3d [Embodied] – A Collaborative Work for Dance, Music and Visualization”. (2014) Presented at the 14th Biennial Symposium of Arts and Technology, Ammerman Center for Arts and Technology, Connecticut College, New London.

Pennycook, Bruce and C. Guedes.”A GPR Based System for Real Time Segmentation and Analysis of Performed Blues” (presented at 2012 ICMPC in Thessaloniki, Greece)

Pennycook, Bruce. “The Impact of Digital Media on Music Creativity”. In (2011). Winget, Megan and Bill Aspray, (eds.). Digital Media: Interdisciplinary Perspectives on History, Preservation, and Ontology. New York: Scarecrow. pp 187-212.

Pennycook, Bruce, Hugh Lobel, Russell Pinkston, Carlos Guedes. The KIN.MPS System. (2012). Accepted but not presented. 2012 International Computer Music Conference. University of Huddersfield, UK.

Pennycook, Bruce, Carlos Guedes, Hugh Lobel. (2011). Automatic Music Phrase Analysis. Oral Presentation. SEAMUS, 2011 Conference of the Society for Electroacoustic Music of the United States. University of Miami.

Pennycook, Bruce, Eugenia Costa-Giomi, Tanvi Joshi. (2010). Audio Signal Analysis of instrumental and vocal excerpts. Oral Presentation. 2010 Intl. Conf. on Music Perception and Cognition. Univ. of Washington.

Bernardes, Gilberto, C. Guedes, B. Pennycook (2010). Style Emulation of Drum Patterns by Means of Evolutionary Methods and Statistical Analysis. Oral Presentation. 7th Sound Music and Computing Conference. Barcelona, Spain.

Baltazar, Andres, C. Guedes, B. Pennycook, F. Gouyon. (2010). “A Real-time Human Body Skeletonization Algorithm for Max/MSP/Jitter”. Proc. of the 2010 Intl. Computer Music Conference. ICMA. (pp 96-99).

Pennycook, B. (2008). Who will turn the knobs when I die? Organised Sound, Volume 13, Issue 03, Dec 2008, pp 199-208

Hoplaros, G., Costa-Giomi, E., & Pennycook, B. (2005). Music Error Detection by Absolute and Relative Pitch Possessors. Poster presented at the Neurology and Music Conference. Leipzig, Germany.

Ballora, Mark, Bruce Pennycook, Plamen Ch. Ivanov, Ary Goldberger, Leon Glass.(2000). “Detection of obstructive sleep apnea through auditory display of heart rate variability.” Computers in Cardiology, Cambridge, Massachusetts.

Ballora, Mark, Bruce Pennycook, Leon Glass, (2000). “Audification of Heart Rhythms
in Csound.” The Csound Book, R. Boulanger and B. Vercoe, eds. MIT Press.

Xu, A., Woszczyk, W., Settel, Z., Pennycook, B., Rowe, R., Galanter, P., Bary, J., Martin, G., Corey, J., and Cooperstock, J.R. (2000). Real-Time Streaming of Multichannel Audio Data over Internet. Journal of the Audio Engineering Society, July-August.

Novak, B., Pennycook, B. Settel, Z., Strawn, S., Wiser, P. & Woszczyk, W. (1999). Next-Generation Internet Capabilities. J. Audio Eng. Society.47 (4) 300-307.

Pennycook, B. (1997). Live Electroacoustic Music: old problems, new solutions. Journal of New Music Research. 26. 70-95. Swetts and Zeitlinger.

Pennycook, B. (1996). Audio and MIDI Markup Tools for the World Wide Web Journal of the Audio Engineering Society. New York. 44(4) 290-296.

Pennycook, B. (1995). The Music Library of the Future. Proc. of the 1995 Intl. Computer Music Conference. ICMA. 195-198

Pennycook, B., Costa-Giomi, E., Editors. (1994). Proceedings of the International Conference on Music Perception and Cognition. McGill University.

Pennycook, B. & Stammen, D. (1994). A model of tonal jazz improvisation. Proc. of the 3rd. Intl. Conf. on Music Perception and Cognition. ESCOM. Liege. PDF

Stammen, D., Pennycook, B. & Parncutt, R. (1994). A revision of Parncutt’s psychoacoustical model of the root of a musical chord”. Proc. of the 3rd. Intl. Conf. on Music Perception and Cognition. ESCOM. Liege. PDF

Stammen, D. & Pennycook, B. (1994). “Real time segmentation of music using an adaptation of Lerdahl and Jackendoff’s grouping principles.” Proc. of the 3rd. Intl. Conf. on Music Perception and Cognition. ESCOM. Liege. PDF

Pennycook, B. (1994). Computer Index to the Proceedings of the International Computer
Music Conference: 1987-1993. ICMA. San Jose.

Kulick, J. & Pennycook, B. (1993). The Shared Memory Subsystem of the Minitaur II Parallel Computer System. Proc. of the IEEE SoutheastCON.

Pennycook, B. & Stammen, D. (1993). Toward A Computer Jazz Improviser. Proc.1993 Intl. Computer Music Conference. ICMA. San Francisco.

D. Stammen and Pennycook, B. (1993). Dynamic Time Warp. Proc. 1993 Intl. Computer Music Conference. ICMA. San Francisco.

Pennycook, B. (1992). The MIDI Time Clip. Proc. 1992 Intl. Computer Music Conference ICMA. San Francisco. (459-460)

Pennycook, B. (1992). Composers and Audiences. Companion of Contemporary Musical Thought. Routledge Press, London.

Pennycook, B. (1992). Live Electroacoustic Music: old problems, new solutions. Circuit. Univ. de Montreal.

Pennycook, B. (1991). The PRAESCIO Series: Composition Driven Interactive Software. Computer Music Journal. (15:3)